Showing posts with label observation. Show all posts
Showing posts with label observation. Show all posts

Wednesday, August 22, 2012

5:15 - OR SO

It is necessary to locate the birthplace of the following offering, both in time and in place.  Otherwise it will make less sense than it will already not make.

It was written late in February 1980 while I was living in New York City.  One of the sofas on which I was allowed to "crash" on a regular basis was in an apartment in the SoHo district.  Atop said apartment building, was a splendid rooftop retreat which I visited whenever I could.  One remarkable evening at about "5:15 - or so" I witnessed the setting sun reflecting magnificently from the upper floors of one of the skyscrapers a couple miles uptown from me.

Rainbows are also significant and shall be revisited in later posts.


5:15 --- Or So

The sun shines sharply from
Northern monolithic highlands.
Other glimmering baubles reflract
And reflect
Rainbows in a reminiscing Mind.

Clement warmness,
Unseasonal for February's normal chill
Sends springtime shivers
Through a fevered Mind.

Alone and one.

Urban, beehive sprawl
Splinters northern sunsets into many.

For a time...
...none passes.
Save for The Never-ending Sound Effect:
Vehicular tumult.

Cloudless blue-and-brown hued masking 
Hides the endless velvet violet of Stellar regions from
Optic awareness.

Here, to when "Now" is here,
The panoramic, spectacle
Emblazons and imprints, permanently
A peaceful Mind.

Painful memories remembered
Then filed away: Forgotten,
"Now" becomes the dwelling place of
Northern sunset's mysteries.

There.

For, when reading-thinking-speaking movement ends:
(a transit of a soul's experience)
There is another "Now" to bleach
The stain of Life
Away for one more shot at Eternity...

...an Immortal Mind.



Friday, August 10, 2012

Men are from Ugh. Women are from Neatness

One of my favorite Neal Simon plays is "The Odd Couple". I haven't acted in it yet, but I think I could still pull off a good Oscar Madison if I lost a little weight and put some color back in my hair.

Damn!  Now that I've summoned it, the ubiquitous theme song has lodged itself in my brain.  I expect it to follow me around, dropping sandwich wrappers in my path and blowing cigar smoke in my face all day.  The only way I can get rid of a song once it jams in my head is to replace it with another one.  Then I'm stuck with that tune until it in turn is replaced, or it gets bored with itself and falls asleep when I'm not looking.  However once I realize there is no brain tune playing, it wakes up again once I wonder where it went.  You don't want my head. It's noisy in there.

Since the dawn of sapiens, we have been social beasts. The larger the group, the easier we find it to get along. Owing to the concept of security in numbers, it was simply easier for Ugh to blame someone else, like Wug, for the mess Ugh made.  It was much later, after we started splitting off into monogamous pairs, when we had to own up to our own failings. There's something to be said about how we as self-realized beings adapt to our surroundings to cope, or not to cope with changes.  But when it comes to dealing with the other-than-me on our lives some of us are more adept than others..

Using the Oscar-Felix unity as a template, I can apply it to the relationship my wife and I enjoy in our so-far 29-year experiment in co-habitation.  There are all sorts of things a guy like me needs to learn when he pairs up with a not-me who happens to practice Neatism. Neatism is, as it sounds, a borderline obsession with arranging everything in alphabetical order if it has a label, by height if not, by color if available, and everything is hidden away from sight thereby eliminating "Clutter".  “Clutter” is bad.  Neat is good.

Before entering into the state of Romantic Co-habitation; as far as I was concerned, vacuum cleaners were for people who had shedding animals in the house, and they were w-a-y-y too noisy -- the vacuums that is -- not necessarily the animals.  In my pre Co-habitation world, there were no English words for: the Black Stuff that Grows in the Shower, the Green Stuff that Grows in the Refrigerator, the White Stuff that Grows in the Coffee Mug, or the Brown Stuff that Replaced the Orange and Yellow Stuff that Used to Smell Good. I didn't see a need to name them.  I have no stronger excuse.

But, things are different now, my education has been intense. To begin with, my wife knows the words for all of these things. I'm not certain they are the actual scientific names for the aforementioned fungi, but they are sufficiently descriptive nouns nonetheless.  I bow to her creativity.

When I was young, I had been taught: "There's a time and a place for everything."  In later life, I took that to include such things as the white stuff in the coffee mug.  Not so for the Neatist. (I coined this word myself.)  For the Neatist, the time is always "Now" and the place is predefined by the Master Plan.  If it is not in the Neatist’s Master Plan, there is no place for it.  Exceptions can be made if I petition for special dispensation for certain, unlisted treasures; but the wait can be long for an answer and the space allotment is usually small.  Essentially, I have three desk drawers, one third of one closet, a dresser, the cargo space of my 2006 Matrix, and a cigar box in which to store my 60-some years of personal life's accumulation of touchstones; along with and among the various and sundry components of my modest wardrobe.

Which brings me to this: before our partnership, I wouldn't have dreamed that there was a correct way to hang shirts in the closet, except that the hook came out where the neck would be and the wide part went into the arm hole at the shoulders.  I thought I got points for hanging them in the closet at all.  No. They must face East.  I don't know if it is a sacred alignment for Neatists or not, but they must face East.  I have also learned to embrace the Mystical Trifold of the Towels.  I'm not permitted to explain further. Just know it is the Right Way.  And don't get me started on the Quadruple Flex with a Twist trick with underwear.  I never mastered it and she won't even let me try it anymore.

All these things I learned from my wife as we have traveled on our road together.  And I must admit I was beginning to get the hang of stuff like the order of the Things that Go Under the Sink, when the entire dynamic changed.  Our Daughter arrived.  No longer does our household provide succor for the Neatist. Nature has seen fit to provide for the Child.

...And Ugh has someone to blame for his mess again.

Cue that ubiquitous theme music....


Friday, July 29, 2011

Why do cars have ski racks in Los Angeles?

Originally posted to Facebook: June 2, 2011

The snow pack in the High Sierra is impressive this year.  Memorial Day saw 8” of snowfall on Mammoth Mountain, so they are extending Winter until mid June.  They can do that.  It is good for Business.

This is fantastic news for drought stricken Southern Californians.  It is even better news for that hardy species of animal that defies the odds against its survival and continues to dwell here: The Snow-crested Spandex-breasted Alpine Skier.  In the city, I will occasionally spot one of them in a workout room or on an apartment balcony using a ski emulation device, engaged in their fascinating, indigenous behavior patterns.  It is not their natural habitat though, and I can see they would rather be somewhere else.

There are two sub-species of which I am familiar:  the Cross-Country Skier and its more colorful cousin, the Downhill Skier.  I have experienced both, and my preference is well defined.  Myself, I prefer the cross-country flavor.

Cross-country skiing is much less crowded with people, more civilized and it is a healthy, breathtaking, head-clearing pastime.   While skiing cross-country, I have seen more than my share of picture postcard views.
  • There's the one with the new snowfall barely covering a set of Lehigh Valley RR tracks which stretch out into the distance, converging in a single invisible point in space beyond a whited-out horizon.
  • ...The one with the old covered bridge at the edge of town that spans a someday-it’s-going-to-be-a gorge.  The trickle of a stream beneath it is frozen into stillness until a January Thaw arrives.  
  • ...The one with the powdery canopy of morning mist blending into marshmallow puffed hills before you and below.  The only demarcation between the two is a stand of perfect pine trees along a ridge at the intersection of land and sky.
These are all indelibly archived in my memory and signed, "Glad you were here."

Also in that archive, and signed in a different, sinister hand are memories of a harsher kind:
  • …The time I was pitching in a softball game and was smashed in the face by a line drive.  I went down like a sack of potatoes, they say.  (In actuality this is not so much a memory of the event than of the painful aftermath.)
  • …That other time I fell out of the rafters of a rural Michigan Barn Theatre after stepping on a broken crosspiece.  I remember it in slow motion, just like in the movies.  I do not, however, remember anything immediately after landing face down on the stage.  Once again, I was “read in” by others recanting the tale.
…And then there was the time I went Downhill Skiing.

It was many years ago.  I was living in Boston, and it was early in the season at Killington, in Vermont. A friend thought it would be a good idea to get me on skis for the first time in my (so far) 23 years.  I deferred to him and went along. What the heck.  What did I have to lose?  I was young.  I was adventuresome.  I had not yet been hit in the face with a line drive hit back to the pitcher.

It started with the money.  First we had to pay for parking, then our lift tickets.  Then we rented boots, skis, and poles.  Before we even approached the lift I was into this thing for $30 bucks or so.  And that’s in 1976 dollars.

The only run that was open was an intermediate one. I would have liked to have seen what an expert slope looked like, because this one was already looking straight up and down to me.  Riding up on the lift was peaceful enough, much like I imagined the walk into the blinding light of what-waits-beyond would be, as we pass from this life to the next.  I dared only to peek down past my feet, which were dangling five stories above what was sure to be solid granite covered by a thin coat of crusty snow.  I spent most of the trip admiring everything I could see at eye level and above. 

Stepping off the lift that first time was stepping off into outer space. I was looking for a tether, a pressure suit, and a breathing apparatus.  At least I wanted assurances that I could abort the mission if something went wrong.  None were offered.

Oh, did I mention that nobody even suggested that it was a good idea to take, oh I don’t know, a lesson or two before even attempting this insane thing I was about to do?

I pushed away from the lift.  Maybe “launched” is a better word.

There is, as it appears, a ritual embedded in learning to ski.  There is pain involved, and one is required to maintain the appearance of having “fun” throughout the ordeal.  It is not unlike how a fraternity pledge brother is supposed to fain solemnity as he is being painted with warm peanut butter.  It is a rite of passage.

I discovered immediately that my first trip down the slope was to be spent primarily in the prone position, arriving in the prone position as forcefully as possible.  I achieved this result by throwing my feet up in the air every twenty seconds or so and landing flat on my back. It was involuntary, and it hurt a lot; until I remembered to distribute my weight over more area by executing what I called the “Dead Eagle” maneuver.  It was the same as a “Spread Eagle” only - you know - dead.  I got pretty good at that. 

That first descent took about a half hour to reach the K-1 Lodge at the bottom.  Maybe it was a record.  I didn’t care.  I was ready to pack it in and spend the rest of the day healing in the lounge.  Looking cool and sipping toddies in the lounge with a Ski-Babe was what I had heard this whole skiing thing was about anyway.  Right?

Not according to my friend, who had been waiting for me to finish my first run and was raring to go again.  It wasn’t too hard to talk me into it.  Remember, I had already spent an entire day's wages to pay for the fun I was supposed to be having.  So, now I was intent on getting my money’s worth.  

I was surprised at how much better things seemed on the second run.  Not enough to get cocky about it, but I was experiencing a little giddiness at times.  About three-quarters of the way down I had only fallen three times and had discovered the “snow plow” to keep things more in control, when I heard a voice behind me yell something that sounded like, “SKI!”

“Well,” I thought, “that’s pretty rude,” and I turned, about to shout something childish toward where I thought the voice had come.  

It turns out that “Ski!” in this case was not an insult but a warning – much like the word “Fore!” when it is shouted on a golf course means someone has hit a ball in your direction, or the word “Heads!” when barked on stage means something has been dropped from above.  Of course in all cases, it seems to me that a more standard word like “Duck!” would work just as well, seeing as how those, like myself, who were new at the game would take less time to translate the word to an action.  Nonetheless its meaning was immediately self-evident. 

Someone ski had disengaged from its owner and become a low flying projectile on the slope above me.  It hit a mogul and launched itself directly at my head, homing in on the bridge of my nose.  As comical as your mind’s eye can make this appear now, it was not so funny to me at the time.  

I understood.

I remembered the “Dead Eagle” maneuver I perfected on my first trip down the slope and performed it flawlessly: flat on back, arms outstretched, legs in the air - just in time to watch the ski sail over me, between my feet, a missile in search of another target.

After that, there wasn’t any reason not to hit the lounge and look cool for the Ski-Babes. 

What if there was a phone menu to choose the “On Hold Music” we had to listen to?

“Thank you for calling the offices of Like We Really Care Anyway… We’d like you to think your call is very important to us.  Please hold, and a representative will be with you as soon as we can find one that isn’t too busy pretending to work on someone else’s problem. 

“Your On Hold Music menu follows.  Please listen carefully because our selections sometimes change before we get to the end of the menu.  “

·         Press 1, for Innocuous Elevator Music that has been scientifically chosen to offend nobody but anyone who actually likes music.

·         Press 2, for Distorted Unrecognizable Sounds that can be mistaken for music if you tilt your head and cup one ear like this.

·         For Hard Rock, Press 11.

·         For Metal Rock, Press the same number repeatedly very hard.

·         For Lawrence Welk’s Greatest Hits, Press a 1 and a 2 and a…

·         For Bluegrass Music, Press any number and accompany it with a banjo.

·         For Broadway Showtunes, Press 5-6-7-8!

·         ‎For Jazz, choose 4 numbers and press them sequentially in any order for 1 minute. Then press #.

·         For New Age, Press 0 and let go.

·         For The Zen Meditation Channel, Press 1 with all the other numbers.

·         For Country, Press 1 then 2 then 3 then  1 again – then hit the bottle.

·         For the Blues, Same as Country Music only throw a 9 in it. 

·         For Reggae, don’t worry – just spark one up and let the music come.

·         For Classical, Press 8883-2221

"Again, your call really couldn’t mean less to us, but we’ll pick up eventually.  Please stay on the line and let the music settle over you.  The time should pass quickly.  And who knows?  Maybe you’ll think of the answer to your question which should have been obvious in the first place and you won’t need to hold any more. "

Good Bye.


Some say the world will end in Fire...Inconveniently

When it's this hot like this, I remember a "Twilight Zone" episode called "The Midnight Sun" - The Earth had somehow gotten out of orbit and was moving inexorably closer to the Sun and we were all doomed. At least that's what we are lead to believe until the "gotcha" a the end that showed the whole thing was all an hallucination and the exact opposite was true and we were spinning AWAY from the Sun... and we were all doomed.

- Some say the world will end in Fire. Some say in Ice. ~Robert Frost -

I remember the Female Artist (Main Character) had painted a picture of a waterfall she remembered from childhood to help her to feel cooler. (For the Ithacans in the crowd, it was most likely Taughannock Falls since Rod Serling lived near Trumansburg, NY.)

Anyway. I'm thinking about waterfalls.

And Global Warming